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Pop instrumentals encompass instrumentals that were hit songs. Pages in category "Pop instrumentals" The following 47 pages are in this category, out of 47 total. ...
This list of songs or music-related items is incomplete; you can help by adding missing items. (October 2021 This page was last edited ... List of instrumental bands.
Instrumental rock is rock music that emphasizes musical instruments and features very little or no singing. An instrumental is a musical composition or recording without lyrics , or singing , although it might include some inarticulate vocals , such as shouted backup vocals in a big band setting.
The Grammy Award for Best Contemporary Instrumental Album (previously: Best Pop Instrumental Album) is an award presented at the Grammy Awards, a ceremony that was established in 1958 and originally called the Gramophone Awards, [1] to recording artists for quality instrumental albums in the pop music genre.
"Popcorn" (first version "Pop Corn") is an instrumental song composed by Gershon Kingsley in 1969 for the album Music to Moog By. It was performed on the Moog synthesizer and released on the Audio Fidelity label. The name is a combination of pop for pop music and corn for kitsch. [3]
From 2012, all instrumental performances in the pop category (solo or with a duo/group) were shifted to either the newly formed Best Pop Solo Performance or Best Pop Duo/Group Performance categories. A similar award for Best Instrumental Performance was awarded from 1965 to 1968.
Sky were an English–Australian instrumental rock group that specialised in combining a variety of musical styles, most prominently rock, classical and jazz.The group's original and best-known line-up featured two Australians - classical guitarist John Williams and electric guitarist Kevin Peek - alongside three Britons - bass player Herbie Flowers, drummer/percussionist Tristan Fry and ...
"Telstar" is a 1962 instrumental by the English band the Tornados, written and produced by Joe Meek. It reached number one on the UK Singles Chart and the US Billboard Hot 100 in December 1962 (the second British recording to reach number one on that chart in the year, after "Stranger on the Shore" in May). It was the second instrumental single ...