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A rhyme scheme is the pattern of rhymes at the end of each line of a poem or song. It is usually referred to by using letters to indicate which lines rhyme; lines designated with the same letter all rhyme with each other. An example of the ABAB rhyming scheme, from "To Anthea, who may Command him Anything", by Robert Herrick:
This rhyme scheme was extremely popular in French poetry. It was used by Victor Hugo and Charles Leconte de Lisle. In English it is called the tail-rhyme stanza. [2] Bob Dylan uses it in several songs, including the A-strains of You're Gonna Make Me Lonesome When You Go and the B-strains of Key West (Philosopher Pirate).
In poetry, internal rhyme, or middle rhyme, is rhyme that occurs within a single line of verse, or between internal phrases across multiple lines. [1] [2] By contrast, rhyme between line endings is known as end rhyme. Internal rhyme schemes can be denoted with spaces or commas between lines. For example, "ac,ac,ac" denotes a three-line poem ...
In Eastern Europe, English stanzaic forms were not at first very popular, these countries being too far from England's literary influence. Neither rhyme royal nor the Spenserian stanza occurred frequently. English rhyme schemes remained unknown until the early 19th century, when Lord Byron's poems gained enormous popularity.
In the usual course the rhymes are arranged ABCABC, but this is not necessary.One example is from Srasimum's Sestet which has a rhyme scheme of AACBBC. "Solid Determination to Ultimate Goals" — Srasimum's Sestet by Nicola A. Viriditch In every step, resolve unshaken, Through trials faced, the path unbroken, The journey’s end is drawing near,
Dale identifies the following varieties of Traditional Pure Rhyme: Single Pure Rhyme (example: cat / mat) Double Pure Rhyme (example: silly / Billy) Triple Pure Rhyme (example: mystery / history) Eye rhyme (example: love / move) Near rhyme (example: breath / deaf) Wrenched stress rhyme (example: bent / firmament) Wrenched Sense Rhyme
Chain rhyme is a rhyme scheme that links together stanzas by carrying a rhyme over from one stanza to the next. A number of verse forms use chain rhyme as an integral part of their structures. One example is terza rima, which is written in tercets with a rhyming pattern ABA BCB CDC. Another is the virelai ancien, which rhymes AABAAB BBCBBC CCDCCD.
The musical form of a ballade stanza is a bar form (AAB), with a first, repeated musical section (stollen) setting the two initial pairs of verses (rhyme scheme ab ab), and the second section (abgesang) setting the remaining lines including the refrain verse (bcbC). The two statements of the "A" section often have different endings, known as ...