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"Stealin'" is a song by British hard rock band Uriah Heep, from the concept album Sweet Freedom. [2] The song was written by Ken Hensley , and it reached gold status in New Zealand . The B-side of the song is "Sunshine".
Uriah Heep are an English rock band formed in London in 1969. ... (No. 18 UK, No. 33 US) was created with "Stealin'" released as a single.
It was the first Uriah Heep album to be released by Warner Bros. in the U.S. Sweet Freedom reached No. 33 in the US Billboard 200 chart. [6] It was certified gold by the RIAA on 5 March 1974. [7] AllMusic's retrospective review noted that Heep "began to explore new styles to flesh out their combination of prog complexity and heavy metal muscle ...
Live at Shepperton '74 is a live album by British rock band Uriah Heep, released in 1986. It was recorded live in studio in 1974 for radio broadcasting. It was recorded live in studio in 1974 for radio broadcasting.
[11] [12] Uriah Heep's lineup remained stable until January 2007, when Kerslake was forced to leave the band due to "ongoing health problems". [13] He was replaced by Russell Gilbrook in March. [14] On 21 May 2013, Bolder died of cancer, [15] having taken a touring hiatus due to an operation earlier that year with John Jowitt covering. [16]
On the "Equator" tour, around the time of Byron's death, Uriah Heep dedicated "The Wizard" to him. There were also tributes to him and deceased bassist Gary Thain on the 1998 album Sonic Origami . The opening track, "Between Two Worlds", is dedicated to David Byron and Gary Thain, both members of Uriah Heep who died at a young age.
Innocent Victim is the eleventh studio album by English rock band Uriah Heep, released in November 1977 by Bronze Records in the UK and Warner Bros. Records in the US. Although it did not chart in the US or UK, Innocent Victim went on to sell more than 100,000 copies in Germany alone, [ citation needed ] and reached No. 19 and No. 44 in New ...
"Stealin" (also called "Stealin', Stealin'") is an American blues song from the 1920s. It originated with jug bands, but gained wider popularity after several 1960s contemporary folk musicians recorded it. Although various artists have recorded different verses, the chorus has remained consistent: