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Urdu poetry (Urdu: اُردُو شاعرى Urdū šāʿirī) is a tradition of poetry and has many different forms. Today, it is an important part of the culture of India and Pakistan . According to Naseer Turabi, there are five major poets of Urdu: Mir Taqi Mir (d. 1810), Mirza Ghalib (d. 1869), Mir Anees (d. 1874), Muhammad Iqbal (d. 1938 ...
Urdu literature (Urdu: ادبیاتِ اُردُو, “Adbiyāt-i Urdū”) comprises the literary works, written in the Urdu language.While it tends to be dominated by poetry, especially the verse forms of the ghazal (غزل) and nazm (نظم), it has expanded into other styles of writing, including that of the short story, or afsana (افسانہ).
Shehzad Ahmed [1] (Urdu: شہزاد احمد 16 April 1932 – 2 August 2012; sometimes spelled Shahzad Ahmad), was a Pakistani Urdu poet, writer and director of Majlis-e-Taraqqi-e-Adab, an old-book library of Pakistan. Shehzad's poetry collection comprises about thirty books and several other publications on psychology.
Poems in Urdu (6 P) Poetry by Mirza Ghalib (1 P) Poetry by Muhammad Iqbal (20 P) Urdu-language poets (4 C, 57 P) Pages in category "Urdu-language poetry"
Hafeez Jalandhari was unique in Urdu poetry for the enchanting melody of his voice and lilting rhythms of his songs and lyrics. His poetry generally dealt with romantic, religious, patriotic and natural themes. His language was a fine blend of Hindi and Urdu diction, reflecting the composite culture of South Asia. [3]
He received an MA in Urdu from the University of Karachi and began working as a radio and television producer until 1967. [1] In 1974, his first book of poetry Chand Chehra Sitara Ankhhen was published. [1] He was senior producer at Karachi station Pakistan Television Corporation until he was forced to resign in 1978 following an edict against ...
Subh-e-Azadi (lit.'Dawn of Independence' or 'Morning of freedom' [4]), also spelled Subh-e-Aazadi or written as Subh e Azadi, is an Urdu language poem by a Pakistani poet, Faiz Ahmed Faiz written in 1947. [5] [6] The poem is often noted for its prose style, marxist perspectives