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Harsh voice, also called ventricular voice or (in some high-tone registers) pressed voice, is the production of speech sounds (typically vowels) with a constricted laryngeal cavity, which generally involves epiglottal co-articulation.
The word guttural literally means 'of the throat' (from Latin guttur, meaning throat), and was first used by phoneticians to describe the Hebrew glottal (א) and (ה), uvular (ח), and pharyngeal (ע). [4] The term is commonly used non-technically by English speakers to refer to sounds that subjectively appear harsh or grating.
Phonaesthetics (also spelled phonesthetics in North America) is the study of the beauty and pleasantness associated with the sounds of certain words or parts of words.The term was first used in this sense, perhaps by J. R. R. Tolkien, [1] during the mid-20th century and derives from Ancient Greek φωνή (phōnḗ) 'voice, sound' and αἰσθητική (aisthētikḗ) 'aesthetics'.
They are called voices because they affect the sound quality of the utterance (that is, the individual's human voice), though this usage contradicts the IPA use of the word "voice" for voicing. For illustration here, diacritics are combined with the letter 'V' for modal voice, as that is the default assumption.
The sound that the larynx produces is a harmonic series. In other words, it consists of a fundamental tone (called the fundamental frequency, the main acoustic cue for the percept pitch ) accompanied by harmonic overtones, which are multiples of the fundamental frequency. [ 3 ]
Shrillness is a word used to describe the quality of sounds that have a high-pitched, strident, raucous, screeching or harsh character, such as those produced by a trumpet or piccolo, but it can also be used to describe a widely recognised and puzzling phenomenon whereby certain sounds are perceived as psychologically painful or aversive to a degree that cannot be accounted for simply in terms ...
Can we imagine ourselves back on that awful day in the summer of 2010, in the hot firefight that went on for nine hours? Men frenzied with exhaustion and reckless exuberance, eyes and throats burning from dust and smoke, in a battle that erupted after Taliban insurgents castrated a young boy in the village, knowing his family would summon nearby Marines for help and the Marines would come ...
Dissonance is the harsh and unhappy percussion (aspera atque iniocunda percussio) of two sounds mixed together (sibimet permixtorum)". [47] It remains unclear, however, whether this could refer to simultaneous sounds. The case becomes clear, however, with Hucbald of Saint Amand (c. 900 CE), who writes: