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In her article "Embodied Writing: A Tool for Teaching and Learning in Dance", dance theorist Betsy Cooper defines embodied writing as: vividly descriptive writing inclusive of an array of sensory mechanisms such that a kinesthetic and visceral experience unfolds during the act of writing and a sympathetic response ensues for the reader.
Doctrines of grace and total depravity assert that – due to original sin – mankind, entirely or in part, was unable to be good without God's intervention; otherwise at best, one could only ape good behavior for selfish reasons. The Islamic religion is highly concerned with moral character which is presented in many of their teachings. There ...
Although the term graphic violence is commonly used for visual artistic media like film and television, it can relate to literature due to vivid, gory descriptions of death and injury in several stories. Such evocative imagery is the hallmark of fiction in the speculative genre, particularly horror, but not restricted to it.
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
Mythological characters have influence that extends to recent works of literature. The poet Platon Oyunsky draws heavily from the native mythology of his homeland, the Yakut region in Russia and the Sahka people. In several of his stories, he depicts a main character that follows historic examples of heroism, but fashions the main character ...
Description is any type of communication that aims to make vivid a place, object, person, group, or other physical entity. [1] It is one of four rhetorical modes (also known as modes of discourse), along with exposition, argumentation, and narration. [2]
A vignette (/ v ɪ n ˈ j ɛ t / ⓘ, also / v iː n ˈ-/) is a French loanword expressing a short and descriptive piece of writing that captures a brief period in time. [1] [2] Vignettes are more focused on vivid imagery and meaning rather than plot. [3]
Authors create tone through the use of various other literary elements, such as diction or word choice; syntax, the grammatical arrangement of words in a text for effect; imagery, or vivid appeals to the senses; details, facts that are included or omitted; and figurative language, the comparison of seemingly unrelated things for sub-textual ...