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As a secular, non-sectarian, universal notion of art arose in 19th-century Western Europe, secular artists occasionally treated Christian themes (Bouguereau, Manet). Only rarely was a Christian artist included in the historical canon (such as Rouault or Stanley Spencer ).
As a secular, non-sectarian, universal notion of art arose in 19th-century Western Europe, ancient and Medieval Christian art began to be collected for art appreciation rather than worship, while contemporary Christian art was considered marginal.
Much Christian art borrowed from Imperial imagery, including Christ in Majesty, and the use of the halo as a symbol of sanctity. Late Antique Christian art replaced classical Hellenistic naturalism with a more abstract aesthetic. The primary purpose of this new style was to convey religious meaning rather than accurately render objects and people.
Protestant religious art both embraced Protestant values and assisted in the proliferation of Protestantism, but the amount of religious art produced in Protestant countries was hugely reduced. Artists in Protestant countries diversified into secular forms of art like history painting, landscape painting, portrait painting and still life.
Aniconism in secular contexts is even more variable and there are many examples of figural representation in secular art throughout history. Generally speaking, aniconism in Islamic societies is restricted in modern times to specific religious contexts. In the past, it was enforced only in some times and places. [10]
Historically, the word secular was not related or linked to religion, but was a freestanding term in Latin that would relate to any mundane endeavour. [12] However, the term, saecula saeculorum (saeculōrum being the genitive plural of saeculum) as found in the New Testament in the Vulgate translation (c. 410) of the original Koine Greek phrase εἰς τοὺς αἰῶνας τῶν ...