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Later armets have a visor. A stereotypical knight's helm. Favoured in Italy. Close helmet or close helm: 15th to 16th century: A bowl helmet with a moveable visor, very similar visually to an armet and often the two are confused. However, it lacks the hinged cheekplates of an armet and instead has a movable bevor, hinged in common with the ...
In Europe, full plate armour reached its peak in the 15th and 16th centuries. The full suit of armour, also referred to as a panoply, is thus a feature of the very end of the Middle Ages and the Renaissance period. Its popular association with the "medieval knight” is due to the specialised jousting armour which developed in the 16th century.
In European history, well-known armor types include the mail hauberk of the early medieval age, and the full steel plate harness worn by later Medieval and Renaissance knights, and a few key components (breast and back plates) by heavy cavalry in several European countries until the first year of World War I (1914–1915).
While the term "Gothic" in art history covers the 12th to 15th centuries, Gothic plate armour develops only during 1420–1440s, when the technological development of armour reached the stage where full plate armour (including movable joints) was made, and national styles of "white armour" began to emerge, specifically German ("Gothic") and Italian (Milanese).
Gorget in a full suit of armour In the High Middle Ages, when mail was the primary form of metal body armour used in Western Europe, the mail coif protected the neck and lower face. In this period, the term gorget seemingly referred to textile (padded) protection for the neck, often worn over mail.
Depiction of lamellar armour on the right and brigandine armour on the left, Ming dynasty - 1368 to 1644 . Protective clothing and armour have been used by armies from earliest recorded history; the King James Version of the Bible (Jeremiah 46:4) translates the Hebrew סריון, siryon [1] or שריון, śiryon "coat of mail" [2] as "brigandine".