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The Mona Lisa has survived for more than 500 years, and an international commission convened in 1952 noted that "the picture is in a remarkable state of preservation." [85] It has never been fully restored, [125] so the current condition is partly due to a variety of conservation treatments the painting has undergone. A detailed analysis in ...
Mona Lisa; by Leonardo da Vinci, c. 1503–1506, perhaps continuing until c. 1517; oil on poplar panel; 77 cm × 53 cm. The painting collection has more than 7,500 works [13]: 229 from the 13th century to 1848 and is managed by 12 curators who oversee the collection's display. Nearly two-thirds are by French artists, and more than 1,200 are ...
The Prado Mona Lisa is a painting by the workshop of Leonardo da Vinci and depicts the same subject and composition as Leonardo's better known Mona Lisa at the Louvre, Paris. The Prado Mona Lisa has been in the collection of the Museo del Prado in Madrid , Spain since 1819, [ 1 ] but was considered for decades a relatively unimportant copy. [ 2 ]
Lisa del Giocondo (Italian pronunciation: [ˈliːza del dʒoˈkondo]; née Gherardini [ɡerarˈdiːni]; June 15, 1479 – July 14, 1542) was an Italian noblewoman and member of the Gherardini family of Florence and Tuscany.
For example, the Mona Lisa was moved from Chambord to several castles and abbeys, to finish at the end of the war at the Musée Ingres in Montauban. [8] [9] The Winged Victory of Samothrace and Venus de Milo were kept at Château de Valençay, which was spared the German occupation on a technicality.
Leonardo da Vinci’s Mona Lisa — one of the most famous paintings in the world — is shrouded in mystery; from questions around the figures identity, to her puzzling, enigmatic expression.
Isleworth Mona Lisa † Oil on canvas 84.5 cm × 64.5 cm 33.3 in × 25.4 in Private collection, Switzerland Its proponents claim that this is the earlier of two versions of the Mona Lisa, painted for Francesco del Giocondo (husband of Lisa) in 1503, and that the Louvre version was painted for Giuliano de' Medici in 1517. [81] Horse and Rider
The use of this lead oxide powder to thicken and dry the Mona Lisa’s base layer was likely a fresh approach to painting in the early 1500s, but one that became common practice.