Ads
related to: high neck top long sleeve with sequins and beads
Search results
Results From The WOW.Com Content Network
The majority of the collection featured long dresses and evening gowns. [77] The palette included black, green, red, blue, and pink. Fabrications varied from lace, tulle, and chiffon to leather, velvet, sequins, and wool. The collection was accessorized by coral necklaces, knee-high boots, military boots, mink sandals, and chain strap handbags ...
The cowled-neck "monk dress" was another religion-inspired alternative; the cowl could be pulled up to be worn over the head. For evening wear, skimpy chiffon baby-doll dresses with spaghetti-straps were popular, as well as the "cocktail dress", which was a close-fitting sheath, usually covered in lace with matching long sleeves. [57]
Margarita Moran's long gown included a cape-like shoulder detail, a high neckline, and minimal embellishments throughout. Shawn Weatherly stole the show with this beaded gown in 1980.
[257] [258] [259] They were paired in the fall with rustic-looking sweaters with shoulders fashionably widened via single, top-of-the-sleeve tucks or pleats called "dimples" by their creator Perry Ellis, [260] and the shoes worn with them were often high-vamped pumps with low cone heels inspired by Maud Frizon, [261] jazz oxfords, [262] or flat ...
During this period, Kalloch continued to favor long, slim lines [49] and form-fitting silhouettes. [50] He preferred slim waists [50] accented with a wide belt, [49] and long skirts with long sleeves and a high collar. [50] Only in 1939 for Good Girls Go to Paris did he shorten skirts to just below the knee. [47]
The 28-year-old mother wore a tan, bedazzled bodysuit beneath blue bikini-style pieces across her chest and hips. Behind the sparkling outfit was a backpiece crafted to look like leaves and ...