Ads
related to: waylon jennings complete song list
Search results
Results From The WOW.Com Content Network
(Johnny Cash with Waylon Jennings) 2 — — 5 — — I Would Like to See You Again: 1983 "Leave Them Boys Alone" (Hank Williams Jr. with Waylon Jennings and Ernest Tubb) 6 — — 7 — — Strong Stuff: 1985 "We Are the World" (as a member of USA for Africa) 76 1 1 — 1 1 We Are the World: 1988 "Somewhere Between Ragged and Right" (John ...
The following is a complete albums discography of American country music artist Waylon Jennings. For the singles, see Waylon Jennings singles discography . For a discography as a member of the Highwaymen , see the Highwaymen discography .
We Had It All (song) What You'll Do When I'm Gone; Where Corn Don't Grow; Which Way Do I Go (Now That I'm Gone) The Wild Side of Life; Will the Wolf Survive (song) Women Do Know How to Carry On; Working Without a Net; Wrong (Waylon Jennings song) The Wurlitzer Prize (I Don't Want to Get Over You)
In 2012, the three-volume Waylon: The Music Inside was released, featuring covers of Jennings's songs by different artists. Also released the same year was Goin' Down Rockin': The Last Recordings, a set of 12 songs recorded by Jennings and bassist Robby Turner before Jennings's death in 2002. The songs initially featured only Jennings's guitar ...
Pages in category "Songs written by Waylon Jennings" The following 20 pages are in this category, out of 20 total. This list may not reflect recent changes. A.
The songs on this list will make you relive your own sweet memories. ... The lyrics to this Waylon Jennings song talk about the common relationship between a dad and his son, and how sometimes ...
New overdub of a song that had appeared on The Ramblin' Man (1974) "Honky Tonk Heroes" (Billy Joe Shaver) – 3:27 From Honky Tonk Heroes (1973) "Mammas Don't Let Your Babies Grow Up to Be Cowboys" (Bruce, Bruce) – 2:32 With Willie Nelson; From Waylon and Willie (1978) "Good Hearted Woman" (Jennings, Nelson) – 2:59 With Willie Nelson; From ...
Jennings believes country music's 2010s-era boom placed a premium on young male artists tethered to hip-hop culture's corporate-driven aesthetics more than its human-aimed and street-borne ...