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The spiral design can be based on interlocking Archimedean spirals, or represent three bent human limbs. It occurs in artifacts of the European Neolithic and Bronze Ages with continuation into the Iron Age – especially in the context of the La Tène culture [1] and of related Celtic traditions.
Prehistoric spiral designs date back to Gavrinis (c. 3500 BCE). [1] Celtic spiral tile pattern found in many locations including The Book of Kells. The straight-line spirals of Celtic labyrinths originated in chevrons and lozenges and are drawn by the Celts using a connect the dots method. [1]
Also covered by the term is the visual art of the Celtic Revival (on the whole more notable for literature) from the 18th century to the modern era, which began as a conscious effort by Modern Celts, mostly in the British Isles, to express self-identification and nationalism, and became popular well beyond the Celtic nations, and whose style is ...
Late Iron Age Celtic art or "Ultimate La Tène", gave the love of spirals, triskeles, circles and other geometric motifs. These were combined with animal forms probably mainly deriving from the Germanic version of the general Eurasian animal style, though also from Celtic art, where heads terminating scrolls were common.
Round motifs include circles, spirals, and winding helixes. [7] Zoomorphic motifs generally extend into the interlace: their heads are located at an end and occasionally the rear of the animal reappears at the other end of the interlace. In the earlier manuscripts, their character remains very schematic and it is difficult to identify specific ...
The triquetra is often used artistically as a design element when Celtic knotwork is used, especially in association with the modern Celtic nations. The triquetra, also known as a "Irish Trinity Knot", is often found as a design element in popular Irish jewelry such as claddaghs and other wedding or engagement rings.
Trade-links with Britain and Northern Europe introduced La Tène culture and Celtic art to Ireland by about 300 BC, but while these styles later changed or disappeared elsewhere under Roman subjugation, Ireland was left alone to develop Celtic designs: notably Celtic crosses, spiral designs, and the intricate interlaced patterns of Celtic knotwork.
Aidan Meehan is an Irish artist and author of 18 books on Celtic art and design. [1] [2] including the eight-volume Celtic Design series and Celtic Alphabets, Celtic Borders, The Book of Kells Painting Book, The Lindisfarne Painting Book and Celtic Knots, all published by Thames & Hudson