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"A Dirge" is a poetic dirge composed by Percy Bysshe Shelley. [1] It was published posthumously in 1824 by his wife, Mary Shelley , in the collection Posthumous Poems . [ 2 ] [ 3 ] The text has been set to music by Frank Bridge , Charles Ives , Ottorino Resphigi , Roy Ewing Agnew , and Benjamin Britten .
Robert Houston Bright (January 21, 1916 – December 8, 1970) was a composer of American music, known primarily for his choral works.The best-known of these is an original spiritual "I Hear a Voice A-Prayin'," but he wrote dozens of highly regarded pieces over the course of his career, including a number of instrumental compositions.
Rain on the Window is an album by English saxophonist John Surman with organist Howard Moody recorded in January 2006 and released on ECM in 2008. [ 1 ] Reception
In 2009, Streisand recorded a new, studio version of "Wee Small Hours" for her album, Love is the Answer, produced by jazz artist Diana Krall. The Four Freshmen , on their 1994 album Voices in Standards
"MLK" is a song by Irish rock band U2, and is the tenth and final track on their 1984 album, The Unforgettable Fire. An elegy to Martin Luther King Jr., it is a short, pensive piece with simple lyrics ("Sleep/Sleep tonight/And may your dreams/Be realized/If the thundercloud/Passes rain/So let it rain/Rain down on me").
One review of non-pharmacological sleep aids identified music as the only sleep aid with adequate research. [10] The influence of music on sleep has been investigated across various contexts, exploring how music stimuli can influence different aspects of the sleeping experience.
In September 2011, Nico Muhly was brought to score music for the film, after working with Daldry as a co-ordinator to Philip Glass, who composed for The Hours (2002), and also scored The Reader (2008). [1] Due to creative differences, Muhly left the project and was replaced by Alexandre Desplat, the following month. [2]
His music usually contains no rhythmic elements (one exception is "2.5" on Dead Weather Machine), but instead relies on spacious, extended, richly-textured sounds. Occasionally, true 'musical' elements appear in his work, such as sustained chords (in "c-deck" on Nostromo for example), but the majority of his compositions consist of evolving ...