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Flatiron Building New York (2006) Big Ben on a rainy evening (2008) Venice (2008) Stephen Wiltshire MBE, Hon.FSAI, Hon.FSSAA (born 24 April 1974) is a British architectural artist and autistic savant. [1] He is known for his ability to draw a landscape from memory after seeing it just once. His work has gained worldwide popularity.
Pablo Picasso, 1910, Girl with a Mandolin (Fanny Tellier), oil on canvas, 100.3 × 73.6 cm, Museum of Modern Art, New York. Cubism is an early-20th-century avant-garde art movement begun in Paris that revolutionized painting and the visual arts, and influenced artistic innovations in music, ballet, literature, and architecture.
[5] [8] The ethereal smoke, which lines look like flowers, is contrasted against the straight lines of the skyscraper. [5] Stieglitz's name is set in red lights by the Scientific American Building and the composition may be seen as a double portrait, with O'Keeffe represented by the Radiator Building. [5]
Cantilevered structures, acute angles, illuminated plastic paneling, freeform boomerang and artist's palette shapes and cutouts, and tailfins on buildings marked Googie architecture, which was contemptible to some architects of then-current High Art Modernism, but had defenders during the post-Modern period at the end of the 20th century. The ...
A notable pairing of brutalist campus buildings is found at Durham University, with Ove Arup's Grade I-listed Kingsgate Bridge (1963), one of only six post-1961 buildings to have been listed as Grade I by 2017, [74] [75] and the Grade II-listed Dunelm House (Richard Raines of the Architects' Co-Partnership; 1964–66), described in its listing ...
Gaudí was born on 25 June 1852 in Riudoms or Reus [10] to coppersmith Francesc Gaudí i Serra (1813–1906) [11] and Antònia Cornet i Bertran (1819–1876). He was the youngest of five children, and far outlived the other two who survived to adulthood: Rosa (1844–1879) and Francesc (1851–1876).
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Artist's impressions are often created to represent concepts and objects that cannot be seen by the naked eye; that are very big, very small, in the past, in the future, fictional, or otherwise abstract. For example, in architecture, artists' impressions are used to showcase the design of planned buildings and associated landscape. [1]