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Traditional sub-Saharan African harmony is a music theory of harmony in sub-Saharan African music based on the principles of homophonic parallelism (chords based around a leading melody that follow its rhythm and contour), homophonic polyphony (independent parts moving together), counter-melody (secondary melody) and ostinato-variation (variations based on a repeated theme).
The music is in a minor key, with sustained minor chords ending each phrase in the primary melody, while the melody line goes through a slow musical turn (turning of related notes) which ends each phrase, and emphasizes the ominous minor chords. Underneath the slow, paced melody, is a rhythmic, low "drum beat" in double-time, constantly ...
Chord type Major: Major chord: Minor: Minor chord: Augmented: ... Approach chord; Chord names and symbols (popular music) Chromatic mediant; Common chord (music ...
This list contains musical instruments of symbolic or cultural importance within a nation, state, ethnicity, tribe or other group of people. In some cases, national instruments remain in wide use within the nation (such as the Puerto Rican cuatro ), but in others, their importance is primarily symbolic (such as the Welsh triple harp).
A chord chart. Play ⓘ. A chord chart (or chart) is a form of musical notation that describes the basic harmonic and rhythmic information for a song or tune. It is the most common form of notation used by professional session musicians playing jazz or popular music.
Music of Africa, especially the non-European, Asian or Arab-derived traditions; Māori music of New Zealand; Music of the Aborigines and Torres Strait Islanders of Australia; Music of the indigenous peoples of Latin America and the Caribbean; Native American music of the United States and Inuit, Métis and First Nation music of Canada
Many Ute songwriters, particularly from Northern Ute tribes, have also claimed to have received their music through dreams. [ 3 ] [ 4 ] Like most indigenous people, the Ute Native Americans in the Great Basin struggled with people traveling into their land and trying to take over, such as the Spanish and the Mormons . [ 5 ]
Ewe music is the music of the Ewe people of Togo, Ghana, and Benin, West Africa. Instrumentation is primarily percussive and rhythmically the music features great metrical complexity. Its highest form is in dance music including a drum orchestra, but there are also work (e.g. the fishing songs of the Anlo migrants [ 1 ] ), play, and other songs .