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The Immaculate Conception is a painting by Italian painter Giovanni Battista Tiepolo (1696–1770). The painting was one of seven altarpieces commissioned in March 1767 from Tiepolo by King Charles III of Spain for the Church of Saint Pascual in Aranjuez, then under construction.
The Immaculate Conception of El Escorial is a circa 1660–1665 oil religious painting by the Spanish Baroque artist Bartolomé Esteban Murillo, now in the Museo del Prado in Madrid. Murillo's many artistic depictions of the Immaculate Conception of the Virgin Mary were enormously influential on later art. [1] This painting is regarded as one ...
The Virgin of the Immaculate Conception is a painting of the Immaculate Conception by El Greco. The work on the painting began in 1607 and was completed in 1613. It is owned by the church of San Nicolás de Bari in Toledo, Spain. It is displayed, however, in the Museum of Santa Cruz in Toledo, Spain.
The Immaculate Conception became a popular subject in literature, [6] but its abstract nature meant it was late in appearing as a subject in works of art. [7] The iconography of Our Lady of the Immaculate Conception shows Mary standing, with arms outstretched or hands clasped in prayer. The feast day of the Immaculate Conception is December 8. [8]
The Immaculate Conception of Los Venerables or The Immaculate Conception of Soult (original titles La Inmaculada Concepción de los Venerables or La Inmaculada Concepción de Soult) is an oil painting by the Spanish artist Bartolomé Esteban Murillo. [1] It was painted c. 1678 and measures 274 cm × 190 cm (108 in × 75 in). [1]
The Immaculate Conception represents Mary as the only mortal being free of original sin. This is a long-established Catholic doctrinal argument, frequently depicted in the painting of the Spanish Golden Age. Mary appears standing on five cherubim occupying a half moon.
This canvas essentially served as a predecessor to his later Immaculate Conception. In the earlier work, El Greco defies the conventional Western pictorial composition; instead of causing the viewer's glance to travel from right to left, as was the usual line of sight, Saint John is positioned in the bottom-left corner of the painting, struck ...
The Immaculate Conception with Saints (also known as The Incarnation of Jesus) is a painting by the Italian Renaissance painter Piero di Cosimo, executed between 1485 and 1505. [1] It is housed in the Uffizi Gallery of Florence, Italy.