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Other instruments were adopted or modified from instruments in use from neighboring countries, or from conquered countries (for example the Hun/Xioungnu empire 200 BC - 600 and the Mongolian empire between the 12th and 18th century founded by Genghis Khaan).
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The musical traditions of Central Asia mirror the immense diversity found in the cultures and populations residing in the region. Principal instrument types are two- or three-stringed lutes, the necks either fretted or fretless; fiddles made of horsehair; flutes, mostly sige at both ends and either end-blown or side-blown; and jew harps, mostly metal.
Other instruments used in Mongolian traditional music include the shudraga or shanz (a three-stringed, long-necked, strummed lute similar to the Chinese sanxian or Japanese shamisen), khuuchir (a bowed spike-fiddle), yatga (a plucked zither related to the Kazakh Jetigen), everburee (a folk oboe), khel khuur , tobshuur (a plucked lute similar to ...
The morin khuur (Mongolian: морин хуур, romanized: morin khuur), also known as the horsehead fiddle, is a traditional Mongolian bowed stringed instrument.It is one of the most important musical instruments of the Mongol people, and is considered a symbol of the nation of Mongolia.
The tovshuur, also known as topshur or topshuur (Mongolian Cyrillic: товшуур; Mongolian: ᠲᠣᠪᠰᠢᠭᠤᠷ, romanized: tobshiğur) is a two- or three-stringed lute played by the Western Mongolian tribes called the Altai Urianghais, the Altais, Tuvans, and Khalkha peoples. [1]
Erhu, chinese version of the Khuuchir Sihu (Four string). The khuuchir is a bowed musical instrument of Mongolia. [1]The mongolian Khuuchir (also Huuchir) is considered the predecessor of chinese instruments like the more popular of the hu'kin or Huqin instruments, the "erhu", —er meaning two in chinese, referring to the two strings of the instrument, and Hu meaning foreign, or barbarian.
A three-holed pipe was in use in Mongolia in the 18th century and was believed to possess the magical properties of bringing lamb’s bones back to life. In the Jangar epic of the 14th century, the tsuur is said to have had a voice like a swan. This reference may also be indirectly a very early reference to khöömii, as the singing style sung ...