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A super-cardioid microphone is similar to a hyper-cardioid, except there is more front pickup and less rear pickup. It is produced with about a 5:3 ratio, with nulls at 126.9°. This ratio maximizes the front-back ratio; the energy ratio between front and rear radiation. [50] [51] The sub-cardioid microphone has no null points. It is produced ...
[2] In ambient or distant miking, a microphone – typically a sensitive one – is placed at some distance from the sound source. The goal of this technique is to get a broader, natural mix of the sound source or sources, along with ambient sound, including reverberation from the room or hall.
A cardioid microphone exhibits an acoustic pickup pattern that, when graphed in two dimensions, resembles a cardioid (any 2d plane containing the 3d straight line of the microphone body). In three dimensions, the cardioid is shaped like an apple centred around the microphone which is the "stalk" of the apple.
Eventually this "fet 100" or "transformerless" series was expanded to include the KM 100 modular series of small microphones (with seven different "active capsules" for various directional patterns), the cardioid TLM 193 (using the capsule of the U 89 and TLM 170), the small-diaphragm KM 180 series, the large-diaphragm cardioid TLM 103, the ...
Boundary microphone (Audio-Technica ATM87R) A boundary microphone (or pressure zone microphone) is one or more small omnidirectional or cardioid condenser mic capsule(s) positioned near or flush with a boundary (surface) such as a floor, table, or wall. The capsule(s) is/are typically mounted in a flat plate or housing.
The Neumann U 87 is a poly-directional large-diaphragm condenser microphone. Originally introduced in 1967, a version of the U 87 is still produced by Georg Neumann GmbH. The U 87 became an industry standard recording microphone, a reputation that continues to endure. [1] [2] The U 87 was inducted into the TECnology Hall of Fame in 2006. [3]