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The horse appears less frequently in modern art, partly because the horse is no longer significant either as a mode of transportation or as an implement of war. Most modern representations are of famous contemporary horses, artwork associated with horse racing, or artwork associated with the historic cowboy or Native American tradition of the ...
The painting depicts dealers selling horses at the horse market held on the Boulevard de l'Hôpital in Paris. The hospital of Salpêtrière can be seen in the left background. The prime version of the painting has been in the collection of the Metropolitan Museum of Art in New York since 1887, when it was donated by Cornelius Vanderbilt II. It ...
The horse is neither inherently good nor evil, as it is associated with gods and giants alike, with night (through Hrimfaxi) and day. The horse is a central mediator in Nordic society, and may have played an intermediary role between wild and domestic animals, since large herds of wild horses were still to be found, at least until the 10th ...
A series of Frink prints from the early 1970s held by the Tate Gallery depict a horse and rider. Frink lived in southern France in 1967 to 1970, near the Camargue . She was inspired to create more works portraying horses; an example of a similar horse sculpture from the early 1970s is at the Cass Sculpture Foundation .
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The Horse in Motion is a series of cabinet cards by Eadweard Muybridge, including six cards that each show a sequential series of six to twelve "automatic electro-photographs" depicting the movement of a horse. Muybridge shot the photographs in June 1878.