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Hindi literature (Hindi: हिंदी साहित्य, romanized: hindī sāhitya) includes literature in the various Central Indo-Aryan languages, also known as Hindi, some of which have different writing systems. Earliest forms of Hindi literature are attested in poetry of Apabhraṃśa such as Awadhi and Marwari.
Name Definition Example Setting as a form of symbolism or allegory: The setting is both the time and geographic location within a narrative or within a work of fiction; sometimes, storytellers use the setting as a way to represent deeper ideas, reflect characters' emotions, or encourage the audience to make certain connections that add complexity to how the story may be interpreted.
Having a character have a dream is a common device to embed one narrative or scene within another. (Painting by William Blake, 1805) A story within a story, also referred to as an embedded narrative, is a literary device in which a character within a story becomes the narrator of a second story (within the first one). [1]
Mahadevi Verma (26 March 1906 – 11 September 1987) was an Indian Hindi-language poet, essayist, sketch story writer and eminent personality of Hindi literature. She is considered one of the four major pillars [a] of the Chhayawadi era in Hindi literature. [1] She has also been addressed as the Modern Meera. [2]
Godaan (Hindi: गोदान, Urdu: گودان, romanized: gōdān, lit. 'cow donation') is a Hindi novel by Munshi Premchand. It was first published in 1936 and is considered one of the greatest Hindi novels of modern Indian literature. Themed around the socio-economic deprivation as well as the exploitation of the village poor, the novel ...
Doha is a very old "verse-format" of Indian poetry.It is an independent verse, a couplet, the meaning of which is complete in itself. [1] As regards its origin, Hermann Jacobi had suggested that the origin of doha can be traced to the Greek Hexametre, that it is an amalgam of two hexametres in one line.
This invites the audience to reflect on each moment and its meaning behind it. Within tragedies the female epilogues were the most popular, and it would often challenge the integrity of the play. For example, Tyrannick Love took the main female character, who had often undergone tragedy, and reconceptualised her to be a comedian in the epilogue ...
Literary Criticism 2018 Chitra Mudgal: Post Box No. 203 - Nala Sopara: Novel 2019 Nand Kishore Acharya: Chheelatey Hue Apne Ko: Poetry [10] 2020 Anamika: Tokri Mein Digant 'Their Gatha: Poetry [11] 2021 Daya Prakash Sinha: Samraat Ashok: Play 2022 Badri Narayan: Tumadi Ke Shabd: Poetry [12] 2023 Sanjeev Mujhe pahchano: Novel [13] 2024 Gagan ...