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Dresden Venus (c. 1510–11), traditionally attributed to Giorgione but for which Titian completed at least the landscape.. The Venus of Urbino (also known as Reclining Venus) [1] is an oil painting by Italian painter Titian, depicting a nude young woman, traditionally identified with the goddess Venus, reclining on a couch or bed in the sumptuous surroundings of a Renaissance palace.
Venus and Musician refers to a series of paintings by the Venetian Renaissance painter Titian and his workshop. Titian's workshop produced many versions of Venus and Musician , which may be known by various other titles specifying the elements, such as Venus with an Organist , Venus with a Lute-player , and so on. [ 1 ]
Venus and Adonis - many different versions, with varying contributions by Titian himself. See one in the Prado above, and in Rome below. c. 1555: 106 × 133 cm: Metropolitan Museum of Art (New York) Filippo Archinto, Archbishop of Milan: c. 1555: 118 × 94 cm: Metropolitan Museum of Art (New York) Venus and the Lute Player: c. 1555–1565: 150 ...
The Worship of Venus is an oil on canvas painting by the Italian artist Titian completed between 1518 and 1519, housed at the Museo del Prado in Madrid, Spain. [1] It describes a Roman rite of worship conducted in honour of the goddess Venus each 1 April. On this occasion, women would make offerings to representations of the goddess so as to ...
After Giorgione's death in 1510, Titian completed his Dresden Venus, which began the tradition, and around 1534 painted the Venus of Urbino. [12] Kenneth Clark sees the Danaë as Titian adopting the conventions for the nude prevailing outside Venice; "in the rest of Italy bodies of an entirely different shape had long been fashionable".
Forerunners include Titian's various depictions of Venus, such as Venus and Cupid with a Partridge, Venus and Cupid with an Organist and notably the Venus of Urbino; Palma il Vecchio's Reclining Nude; and Giorgione's Sleeping Venus, [24] all of which show the deity reclining on luxurious textiles, although in landscape settings in the latter ...
The portrait of Venus of Urbino has acquired its name from the Duchy of Urbino through Guidobaldo's title as the Duke of Urbino.. Guidobaldo II della Rovere (2 April 1514 – 28 September 1574) was an Italian condottiero, who succeeded his father Francesco Maria I della Rovere as Duke of Urbino from 1538 until his death in 1574.
Bohde says, "Titian’s painting ultimately deals with the transformation of the immaterial into the material, which is the core of the incarnation theme". [1] The figures itself explains the main theme of incarnation of God within the Virgin. This theme comes thought with the dove in the back that pours out amounts of light from the clouds.