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Yoruba music is the pattern/style of music practiced by the Yoruba people of Nigeria, Togo, and Benin. It is perhaps best known for its extremely advanced drumming tradition and techniques, especially using the gongon [ 1 ] hourglass shape tension drums .
Ilorin Waka is a popular Islamic and Yoruba cultural music [1] The Ilorin Waka is an Islamic and cultural oral entertainment form, usually performed at a given ceremony. During its performance, people gather to savour the melody that the solemn danceable local rendition provides.
Were music (Yoruba: Wéré) is a Yoruba music, which, like ajisari, is a way of using music to arouse the Islamic faithful to pray and feast during Ramadan festival in Yorubaland. Ajiwere or oniwere means "one who performs were music." Unlike ajisari, were is performed in groups.
Waka music is a popular Islamic-oriented Yoruba musical genre. [1] It was made popular by Alhaja Batile Alake from Ijebu , who took the genre into the mainstream Nigerian music by playing it at concerts and parties; also, she was the first waka singer to record an album.
Sakara music is a form of popular Nigerian music based in the traditions of Yoruba music. It mostly in the form of praise songs, that uses only traditional Yoruba instruments such as the solemn-sounding goje violin, and the small round sakara drum , which is similar to a tambourine and is beaten with a stick. [ 1 ]
In 1926 Phillips presented a proposal to the Synod of the Diocese of Lagos, which was accepted, to use "native airs" in church services. [3] Most of his work consisted of church music that included hymns, antiphonal chants, choral anthems in Yoruba language and two organ solo works, Passacaglia on an African Folk Song and Variations on an African Folk Song.
Odu is a studio album by Nigerian Jùjú musician King Sunny Adé.It was released in 1998 on Mesa/Atlantic.Recorded at Dockside Studios, Maurice, Louisiana, it was produced by Andrew Frankel and features traditional Yoruba music.
Oṣó is a mixture of Alternative folk and Yoruba music and has elements of mysticism; it sheds light on Brymo's folk and traditional roots. Oṣó was supported by the singles "Heya!" and "Bá’núsọ". It received critical acclaim from music critics, who complimented its production and Brymo's songwriting.