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The Sutton Hoo helmet is a decorated Anglo-Saxon helmet found during a 1939 excavation of the Sutton Hoo ship-burial.It was buried around the years c. 620–625 AD and is widely associated with an Anglo-Saxon leader, King Rædwald of East Anglia; its elaborate decoration may have given it a secondary function akin to a crown.
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Shoulder-clasps from Sutton Hoo, early 7th century 11th century walrus ivory cross reliquary (Victoria & Albert Museum). Anglo-Saxon art covers art produced within the Anglo-Saxon period of English history, beginning with the Migration period style that the Anglo-Saxons brought with them from the continent in the 5th century, and ending in 1066 with the Norman Conquest of England, whose ...
Shorwell helmet The Shorwell helmet Material Iron Created 500–550 AD Discovered 2004 Shorwell, Isle of Wight Present location British Museum, London Registration 2006,0305.67 The Shorwell helmet is an Anglo-Saxon helmet from the early to mid-sixth century AD found near Shorwell on the Isle of Wight in southern England. It was one of the grave goods of a high-status Anglo-Saxon warrior, and ...
Hors eventually replaced eoh, fitting a pattern elsewhere in Germanic languages where the original names of sacred animals are abandoned for adjectives; for example, the word bear, meaning 'the brown one'. While the Ecclesiastical History and the Anglo-Saxon Chronicle refer to the brother as Horsa, in the History of the Britons his name is ...
"Animal style" deer, (8-7th century BC) Arzhan kurgan, Tuva. Ordos culture, belt buckle, 3rd–1st century BC. Animal style art is an approach to decoration found from Ordos culture to Northern Europe in the early Iron Age, and the barbarian art of the Migration Period, characterized by its emphasis on animal motifs.
Anglo-Saxon seaxes were commonly constructed using pattern-welding, even in late Anglo-Saxon England when this practice had become uncommon for swords. [55] The blades were sometimes decorated with incised lines or metal inlays, [ 56 ] and a number of examples contain inscriptions bearing the name of the owner or maker. [ 57 ]
Boar imagery on Anglo-Saxon helmets is associated explicitly with protection in Beowulf where the poet describes the figures on helmets kept watch over the warriors wearing them. [58] It has been proposed that the figures have an apotropaic role and that cutting them off will result in the death of the warrior. In the latter case, the boar and ...