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Note the various amplifier and speaker emulations selectable via the rotary knob on the left. Guitar amplifier modeling: Amplifier modeling is a digital effect that replicates the sound of various amplifiers, most often vintage tube amplifiers and famous brands of speaker cabinets (e.g., the Ampeg SVT 8x10" bass cabinet).
The most basic amps only have a few knobs, which typically control volume, bass, and treble. More expensive amps may have several knobs that control pre-amp volume (or gain), distortion or overdrive, volume, bass, mid and treble, and reverb. Some older amps (and their re-issued versions) have a knob that controls a vibrato or tremolo effect.
[citation needed] The pedal uses two knobs, one for volume, and one for the amount of distortion the pedal produces. The arrangement of controls and logo on the box suggests a face. The circuit is based on the shunt-series-feedback amplifier topology - a standard in engineering textbooks.
A Line 6 modeling amplifier shown from above. Note the various amplifier and speaker emulations selectable via the rotary knob on the left. Guitar amp modeling devices and software can reproduce various guitar-specific distortion qualities that are associated with a range of popular "stomp box" pedals and amplifiers.
Equalization, or simply EQ, in sound recording and reproduction is the process of adjusting the volume of different frequency bands within an audio signal. The circuit or equipment used to achieve this is called an equalizer. [1] [2] Most hi-fi equipment uses relatively simple filters to make bass and treble adjustments. Graphic and parametric ...
Arbiter Electronics released the first Fuzz Face in 1969, featuring a unique round metal housing inspired by a microphone stand and with the arrangement of volume knob, distortion knob, and logo intentionally resembling a face. The Fuzz Face's first production run lasted until 1976/77, then was reissued from 1986 until 1990.