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Action Transfers, also known as rub-on transfers, were an art-based children's pastime that was extremely popular throughout the world from the 1960s to the 1980s. They consisted of a printed cardboard background image and a transparent sheet of coloured dry transfer figures of people, animals, vehicles, weapons, explosions and so on.
Blending is done to create smooth transitions between darker and lighter areas of a drawing. It can also create a shadow effect. Two common methods of blending are, using a finger to rub or spread charcoal which has been applied to the paper or the use of paper blending stumps also called a Tortillon. Many prefer to use a chamois, which is a ...
The dry transfer technique was used in lettering sheets made by Letraset (left) and other companies (right). Dry transfers (also called rub-ons or rubdowns) are decals that can be applied without the use of water or other solvent. The decal itself is on a backing material such as paper or plastic sheeting much like a transparency. The dry ...
A rubbing of portions of a book cover Visitors to the Vietnam Veterans Memorial make rubbings of names.. A rubbing is a reproduction of the texture of a surface created by placing a piece of paper or similar material over the subject and then rubbing the paper with something to deposit marks, most commonly charcoal or pencil but also various forms of blotted and rolled ink, chalk, wax, and ...
In particular, transfer printing brought the price of a matching dinner service low enough for large numbers of people to afford. Apart from pottery, the technique was used on metal, and enamelled metal, and sometimes on wood and textiles. It remains used today, although mostly superseded by lithography. In the 19th century methods of transfer ...
The term "decal" refers to the mass-produced art transfer in two different states: 1. As manufactured, which consists of the artwork printed on the upper side of a paper or film label stock, temporarily affixed by a typically water or heat soluble adhesive to the upper side of a silicone- or other release agent-coated paper or film backing stock.
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The process is described by Henry Mogford in his Handbook for the Preservation of Pictures. Smooth sheets of paper were pasted over the painted surface of the panel, and a layer of muslin over that. The panel was then fixed, face down, to a table, and the wood planed away from the back until it was "as thin as a plane may safely go", and the ...