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Tenerife lace or "roseta canaria" is a needle lace from Canary Islands. The first name comes from the fact that the lace made on the islands (Lanzarote and Tenerife) was exported from that island. The origin of this lace is uncertain and it is not known on which island the technique was born. In Tenerife this style may be referred to as ...
Saba lace or Spanish Work, as it was known in the early period, is a handcrafted art of needlework designs which began as a cottage industry on the Caribbean island of Saba at the end of the 19th century and grew into one of the leading industries on the island at the turn of the 20th century. Until the 1950s, lacework was one of the key ...
Hand fans first arrived in Europe in the 15th century from Asia and became popular in the 16th century. Several fan styles were common and a plethora of materials were used to create them. Subject matter varied greatly, from Biblical scenes to landscapes. Hand fans serve as a cooling mechanism, social instrument, and fashion accessory.
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April 3, 2024. Ever a fan of the monochrome ensemble, Mary paired a navy overcoat with a matching midi dress and coordinating fedora and gloves to a celebration of the National Guard's 75th ...
With Spain being largely a Christian country, the mantilla is a Spanish adaption of the Christian practice of women wearing headcoverings during prayer and worship (cf. 1 Corinthians 11:2–10). [3] As Christian missionaries from Spain entered the Americas, the wearing of the mantilla as a Christian headcovering was brought to the New World. [3]
Torchon lace is one of the oldest laces, and is common to many lace-making regions such as Belgium, France, Italy, Saxony, Sweden and Spain. [7] Due to its simplicity, torchon lace is generally the first lace a lacemaker learns to make, [1] and has been since at least the 19th century. It only requires a few bobbins and uses thicker thread than ...
Italian fashion uniquely featured a broad U-shape rather than a V. [14] Spanish women also wore boned, heavy corsets known as "Spanish bodies" that compressed the torso into a smaller but equally geometric cone. [23] Bodices could be high-necked or have a broad, low, square neckline, often with a slight arch at the front early in the period.