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Inanna [a] is the ancient Mesopotamian goddess of love, war, and fertility. She is also associated with sensuality, procreation, divine law, and political power. Originally worshipped in Sumer, she was known by the Akkadian Empire, Babylonians, and Assyrians as Ishtar [b] (and occasionally the logogram 𒌋𒁯).
Copy of the Akkadian version of Ishtar's Descent into Hell, from the " Library of Ashurbanipal ' in Nineveh, 7th century BC, British Museum, UK.. The Descent of Inanna into the Underworld (or, in its Akkadian version, Descent of Ishtar into the Underworld) or Angalta ("From the Great Sky") is a Sumerian myth that narrates the descent of the goddess Inanna (Ishtar in Akkadian) into the ...
The Mask of Warka in the National Museum of Iraq today. The Mask of Warka (named after the modern village of Warka located close to the ancient city of Uruk), also known as the Lady of Uruk, dating from 3100 BC, is one of the earliest known representations of the human face. The carved marble female face is probably a depiction of Inanna.
The fortress-like architecture of this time is a reflection of that turmoil. The temple of Inanna continued functioning during this time in a new form and under a new name, 'The House of Inanna in Uruk' (Sumerian: e₂-ᵈinanna unuᵏⁱ-ga). The location of this structure is currently unknown. [7]
Date/Time Thumbnail Dimensions User Comment; current: 08:39, 18 March 2020: 1,939 × 1,035 (2.11 MB): पाटलिपुत्र: Uploaded a work by Sailko from {{extracted from|File:Periodo accadico, sigillo in calcare nero con ishtar con piede su schiena di leone e una devota, 2350-2150 ac ca.jpg}} with UploadWizard
Epithets of Inanna were titles and bynames used to refer to this Mesopotamian goddess and to her Akkadian counterpart Ishtar. In Mesopotamia, epithets were commonly used in place of the main name of the deity, and combinations of a name with an epithet similar to these common in ancient Greek religion are comparatively uncommon.
In the Sumerian poem, Inanna does not seem to ask Gilgamesh to become her consort as she does in the later Akkadian epic. [5] Furthermore, while she is coercing her father An to give her the Bull of Heaven, rather than threatening to raise the dead to eat the living as she does in the later epic, she merely threatens to let out a "cry" that ...
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