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Poetic devices that have a sonic quality achieve specific effects when heard. Words with a sound-like quality can strike readers as soothing or dissonant while evoking certain thoughts and feelings associated with them. Alliteration–Repeated consonant sounds at the beginning of words placed near each other, usually on the same or adjacent ...
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A metrical foot (aka poetic foot) is the basic repeating rhythmic unit that forms part of a line of verse in most Indo-European traditions of poetry.. In some metres (such as the iambic trimeter) the lines are divided into double feet, called metra (singular: metron).
The basic Anglo-Saxon poetic line consists of two half-lines, connected by alliteration. This means that there is a word or syllable in the second half-line, which will alliterate with one or more important words or syllables in the first half-line. These alliterated words or syllables will have more stress. [10]
Onomatopoeia: word that imitates a real sound (e.g. tick-tock or boom). Paradiastole: A rhetorical device using euphemistic or mild language to avoid offence or harsh reality. Parallelism: the use of similar structures in two or more clauses. Paraprosdokian: A sentence or phrase with an unexpected twist or surprise at the end.
In languages like French, elision removes the end syllable of a word that ends with a vowel sound when the next begins with a vowel sound, in order to avoid hiatus, or retain a consonant-vowel-consonant-vowel rhythm. [2] These poetic contractions originate from archaic English. By the end of the 18th century, contractions were generally looked ...
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Essentially all Old Norse poetry was written in some form of alliterative verse. It falls into two main categories: Eddaic and Skaldic poetry. Eddaic poetry was anonymous, originally orally transmitted, and mostly consisted or legends, mythological stories, wise sayings and proverbs. [60] A majority of the Eddaic poetry appears in the Poetic ...