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Bach did write several other ouverture (suites) for solo instruments, notably the Cello Suite no. 5, BWV 1011, which also exists in the autograph Lute Suite in G minor, BWV 995, the Keyboard Partita no. 4 in D, BWV 828, and the Overture in the French style, BWV 831 for keyboard.
BWV 577 – Fugue in G major "à la Gigue" (spurious) BWV 578 – Fugue in G minor "Little" BWV 579 – Fugue on a theme by Arcangelo Corelli (from Op. 3, No. 4); in B Minor; BWV 580 – Fugue in D major (spurious) BWV 581 – Fugue in G major (not by Bach, composed by Gottfried August Homilius) BWV 581a – Fugue in G major (spurious)
The Prelude and Fugue in G-sharp minor, BWV 887, is the eighteenth prelude and fugue in the second volume of The Well-Tempered Clavier by Johann Sebastian Bach. It was written in 1738. It was written in 1738.
BWV 860 – Prelude and Fugue in G major; BWV 861 – Prelude and Fugue in G minor; BWV 862 – Prelude and Fugue in A-flat major; BWV 863 – Prelude and Fugue in G-sharp minor; BWV 864 – Prelude and Fugue in A major; BWV 865 – Prelude and Fugue in A minor; BWV 866 – Prelude and Fugue in B-flat major; BWV 867 – Prelude and Fugue in B ...
Bach's autograph of the 4th Fugue of Book 1 Bach's autograph of Fugue No. 17 in A ♭ major from the second part of Das Wohltemperirte Clavier. Each set contains 24 pairs of prelude and fugue. The first pair is in C major, the second in C minor, the third in C ♯ major, the fourth in C ♯ minor, and so on.
The surviving autograph manuscript of the sonatas and partitas was made by Bach in 1720 in Köthen, where he was Kapellmeister.As Christoph Wolff comments, the paucity of sources for instrumental compositions prior to Bach's period in Leipzig makes it difficult to establish a precise chronology; nevertheless, a copy made by the Weimar organist Johann Gottfried Walther in 1714 of the Fugue in G ...
BWV 808 – English Suite No. 3 in G minor; BWV 809 – English Suite No. 4 in F major; BWV 810 – English Suite No. 5 in E minor; BWV 811 – English Suite No. 6 in D minor; BWV 812 – French Suite No. 1 in D minor [c] BWV 813 – French Suite No. 2 in C minor [c] BWV 813a – French Suite No. 2 in C minor (alternative version of movement 5 ...
The fugue is unfinished, abruptly stopping 47-measures into the movement. Because the work exists in a fair-copy autograph, it is possible that Bach had completed the work in an earlier draft. Like the preceding movement, the fugue is highly chromatic, and contains hand-crossing figures, the most of any Bach fugue. [4]