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Birchbark biting (Ojibwe: Mazinibaganjigan, plural: mazinibaganjiganan) is an Indigenous artform made by Anishinaabeg, including Ojibwe people, [1] Potawatomi, and Odawa, as well as Cree [2] and other Algonquian peoples of the Subarctic and Great Lakes regions of Canada and the United States.
Chee Chee's first exhibition was held in 1973 at the University of Ottawa, [2] and featured abstract compositions of block-stamped geometric motifs. [3] By 1976 he had gained recognition as he developed his style of clear graceful lines and minimal colour, depicting birds and animals.
Patrick DesJarlait, Sr. (1921–1972) was an Ojibwe artist and a member of the Red Lake Band of Chippewa Indians. Known for his watercolor paintings, DesJarlait created roughly 300 artworks during his lifetime.
Sha-có-pay, The Six, Chief of the Plains Ojibwa A-na-cam-e-gish-ca ( Aanakamigishkaang / "[Traces of] Foot Prints [upon the Ground]"), Rainy Lake Ojibwe chief, painted by Charles Bird King during the 1826 Treaty of Fond du Lac & published in History of the Indian Tribes of North America .
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Portrait of Pete Moos, Mille Lacs Band of Ojibwe, c1913 by photographer Ross A. Daniels. The photo shows the two gashkibidaaganag (bandolier bags) and the spot-stitch appliqué featuring complex layered and assembled motifs that are associated with the Mille Lacs Band. A bandolier bag is a Native American shoulder pouch, often beaded.
He asked local artists to draw pictures and the shop generated limited edition prints, based on the ukiyo-e workshop system of Japan. Cooperative print shops were also established in nearby communities, including Baker Lake, Puvirnituq, Holman, and Pangnirtung. These shops have experimented with etching, engraving, lithography, and silkscreen ...
The many complex pictures on the sacred scrolls communicate much historical, geometrical, and mathematical knowledge, as well as images from their spiritual pantheon. The use of petroforms , petroglyphs , and pictographs has been common throughout the Ojibwe traditional territories.