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The Paschal troparion or Christos anesti (Koinē Greek: Χριστὸς ἀνέστη) is the characteristic troparion for the celebration of Pascha (Easter) in the Byzantine Rite. Like most troparia, it is a brief stanza often used as a refrain between the verses of a psalm, but is also used on its own. It is sung in the first plagal (or fifth ...
The Byzantine chant was added by UNESCO in 2019 to its list of Intangible Cultural Heritage "as a living art that has existed for almost 2,000 years, the Byzantine chant is a significant cultural tradition and comprehensive music system forming part of the common musical traditions that developed in the Byzantine Empire."
The Matins Gospel is the solemn chanting of a lection from one of the Four Gospels during Matins in the Orthodox Church and those Eastern Catholic churches which follow the Byzantine Rite. The reading of the Gospel is the highpoint of the service, and takes place near the end of the festive portion of the service known as the Polyeleos.
In the cathedral rite of Constantinople the koinonikon as a troparion became so elaborated, that it was sung without psalm recitation.. Easter koinonikon σῶμα χριστοῦ μεταλάβετε in echos plagios protos with the old cheironomies (hand signs) or Asmatikon notation and their transcription into Byzantine round notation in a manuscript of the 14th century (GR-KA Ms. 8, fol. 36v)
The service of Baptism used in Orthodox churches has remained largely unchanged for more than 1500 years. St. Cyril of Jerusalem (d. 386), in his Discourse on the Sacrament of Baptism , describes the service; it is largely consistent with the service currently in use in the early 21st century.
Easter Sunday is almost here (and earlier than usual this year), and along with church services, Easter dinner, and an egg hunt or two, you absolutely must celebrate with music.
The Paschal homily or sermon (also known in Greek as Hieratikon or as the Catechetical Homily) of St. John Chrysostom (died 407) is read aloud at Paschal matins, the service that begins Easter, in Eastern Orthodox and Byzantine Catholic churches. According to the tradition of the Church, no one sits during the reading of the Paschal homily.
The chant genre offertorium in traditions of Western plainchant was basically a copy of the Byzantine custom, but there it was a proper mass chant which changed regularly. [ 3 ] Although its liturgical concept already existed by the end of the 4th century (see the homily by Chrysostom quoted here), the cherubikon itself was created 200 years ...