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This is an accepted version of this page This is the latest accepted revision, reviewed on 17 February 2025. Cloth bearing the alleged image of Jesus Shroud of Turin The Shroud of Turin: modern photo of the face, positive (left), and digitally processed image (right) Material Linen Size 4.4 m × 1.1 m (14 ft 5 in × 3 ft 7 in) Present location Chapel of the Holy Shroud, Turin, Italy Period ...
The History of the Shroud of Turin begins in the year 1390 AD, when Bishop Pierre d'Arcis wrote a memorandum where he charged that the Shroud was a forgery. [1] Historical records seem to indicate that a shroud bearing an image of a crucified man existed in the possession of Geoffroy de Charny in the small town of Lirey, France around the years 1353 to 1357.
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It is located adjacent the Turin Cathedral and connected to the Royal Palace of Turin. The chapel was designed by architect-priest and mathematician Guarino Guarini and built at the end of the 17th century (1668–1694), during the reign of Charles Emmanuel II, Duke of Savoy, and is considered one of the masterpieces of Baroque architecture ...
On the occasion of the 100th year of Secondo Pia's (May 28, 1898) first photograph of the Shroud of Turin, on Sunday May 24, 1998, Pope John Paul II visited the Turin Cathedral. In his address on that day, he said: "the Shroud is an image of God's love as well as of human sin" and "it is an icon of the suffering of the innocent in every age." [19]
The Shroud of Turin (or Turin Shroud) is a linen cloth bearing the hidden image of a man who appears to have been physically traumatized in a manner consistent with crucifixion. The image is clearly visible as a photographic negative , as was first observed in 1898 on the reverse photographic plate when amateur photographer Secondo Pia was ...
“The experimental results are compatible with the hypothesis that the Turin Shroud is a 2000-year-old relic,” that study said. Until more is realized, this mystery of faith is our cross to bear.
The Shroud of Turin is now the best-known example, though the Image of Edessa and the Veil of Veronica were better known in medieval times. [ not verified in body ] The representation of Jesus was controversial in the early period; the regional Synod of Elvira in Spain in 306 states in its 36th canon that no images should be in churches. [ 5 ]