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In De musica I.2, Boethius describes 'musica instrumentis' as music produced by something under tension (e.g., strings), by wind (e.g., aulos), by water, or by percussion (e.g., cymbals). Boethius himself does not use the term 'instrumentalis', which was used by Adalbold II of Utrecht (975–1026) in his Epistola cum tractatu.
musica quae in quibusdam constituta est instrumentis (sounds made by singers and instrumentalists) Boethius believed that musica mundana could only be discovered through the intellect, but that the order found within it was the same as that found in audible music, and that both reflect the beauty of God. [7]
Medieval music is the music of the Western Europe during the Middle Ages, from approximately the 6th to 15th centuries. [1] The first and longest era of Western classical music, Medieval music saw the presence of various music theorists, such as Boethius, Hucbald, Guido of Arezzo, Johannes Cotto, Franco of Cologne and Philippe de Vitry.
This is a list of medieval musical instruments used in European music during the Medieval period. It covers the period from before 1150 to 1400 A.D. It covers the period from before 1150 to 1400 A.D. There may be some overlap with Renaissance musical instruments; Renaissance music begins in the 15th century.
Although Boethius is the first author known to use this nomenclature in the literature, Ptolemy wrote of the two-octave range five centuries before, calling it the perfect system or complete system – as opposed to other, smaller-range note systems that did not contain all possible species of octave (i.e., the seven octaves starting from A, B ...
Later, 9th-century theorists applied Boethius's terms tropus and modus (along with "tonus") to the system of church modes. The treatise De Musica (or De harmonica institutione) of Hucbald synthesized the three previously disparate strands of modal theory: chant theory, the Byzantine oktōēchos and Boethius's account of Hellenistic theory. [43]
Heinrich Glarean, portrait sketch by Hans Holbein the Younger. Heinrich Glarean also styled Henricus Glareanus (born as Heinrich Loriti on 28 February or 3 June 1488 – 28 March 1563) was a Swiss music theorist, poet, humanist, philosopher and cartographer.
The clavichord is an example of a period instrument. In the historically informed performance movement, musicians perform classical music using restored or replicated versions of the instruments for which it was originally written. Often performances by such musicians are said to be "on authentic instruments".