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A frame story is a tale that encloses or frames the main story or set of stories. For example, in Mary Shelley's 1818 novel Frankenstein, the main story is framed by a fictional correspondence between an explorer and his sister; [2] in One Thousand and One Nights, compiled during the Islamic Golden Age, the many stories are framed by a tale that Scheherazade keeps the king from executing her ...
The campaign allows the player to command the army of Angmar from its foundation and early attacks against Arnor, to the destruction of Arnor at the battle of Fornost. The story for The Rise of the Witch-king draws a great deal upon the Appendices at the end of The Return of the King to form a basis for the conflict between Arnor and Angmar.
The Lord of the Nazgûl, also called the Witch-king of Angmar, the Pale King, or Black Captain, is a fictional character in J. R. R. Tolkien's fantasy novel The Lord of the Rings. He was one of the Nine among Men that the dark lord Sauron gave Rings of Power , becoming Nazgûl or Ringwraiths.
Tolkien used frame stories in his Middle-earth writings to make the works resemble a genuine mythology, accumulated over a long period of time. He described in detail how his fictional characters Bilbo and Frodo Baggins wrote their memoirs and transmitted them to others, and showed how later in-universe editors annotated the material.
Tolkien enjoyed medieval works like Fastitocalon, and often imitated them in his poetry, in this case in a poem of the same name.French manuscript, c. 1270. J. R. R. Tolkien was attracted to medieval literature, and made use of it in his writings, both in his poetry, which contained numerous pastiches of medieval verse, and in his Middle-earth novels where he embodied a wide range of medieval ...
J. R. R. Tolkien built a process of decline and fall in Middle-earth into both The Silmarillion and The Lord of the Rings.. The pattern is expressed in several ways, including the splintering of the light provided by the Creator, Eru Iluvatar, into progressively smaller parts; the fragmentation of languages and peoples, especially the Elves, who are split into many groups; the successive falls ...
Tolkien made his Hobbits live in holes, though these quickly turn out to be comfortable, and in the case of Bag End actually highly desirable. Hobbit-holes range from the simple underground dwellings of the poor, with a door leading into a tunnel and perhaps a window or two, up to the large and elaborate Bag End with its multiple cellars, pantries, kitchen, dining room, parlour, study, and ...
[10] They note that Frodo's two visions of the "far green country", near the start and again right at the end, suggest a kind of frame for the novel, bracketing the quest with hints of paradise. They comment that this view of Tolkien's plan is reinforced by a letter he wrote in 1944 while he was writing The Lord of the Rings .