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The original authors did not create those divisions because they considered it impossible to separate the cognitive from the emotional aspects of empathy. [ 1 ] Based on an analysis of the internal consistency of the scale, a team which included the original authors found that the original questionnaire contained some irrelevant questions.
Mar et al., in a study of 94 participants, identified that the primary mode of literature that increases empathy is fiction, as opposed to non-fiction. [5] Other studies verify these results and go on to specify that active fiction in particular engages with the reader and affects the reader’s empathy, at the very least in adults, rather than passive, entertainment fiction. [6]
A more recent summary is available in a single-author book titled Everyday Mind Reading: Understanding What Other People Think and Feel (2009). [25] A discussion of the mirror system as it pertains to empathy and empathic accuracy is found in Marco Iacoboni's Mirroring People: The Science of Empathy and How We Connect with Others (2009). [26]
Empathy is generally described as the ability to take on another person's perspective, to understand, feel, and possibly share and respond to their experience. [1] [2] [3] There are more (sometimes conflicting) definitions of empathy that include but are not limited to social, cognitive, and emotional processes primarily concerned with understanding others.
Thus, having laid down this theoretical position, Kermode tracks the creation of new attempts to 'make sense of life' through literature. He focuses on modern literature but covers a range of authors including William Shakespeare , Edmund Spenser , William Butler Yeats , T. S. Eliot , James Joyce , the French 'new novelists' , William S ...
Theoretically, this model makes sense, because empathy is an other-focused emotion. There is an impressive history of research suggesting that empathy, when activated, causes people to act in ways to benefit the other, such as receiving electric shocks for the other. [ 17 ]
Keen is best known for her work on narrative empathy. She has published numerous essays and chapters on aspects of narrative empathy, extending the theories and applications of her book, Empathy and the Novel (2007). [4] She has also published widely on contemporary British fiction, Victorian novels, postcolonial literature, and narrative ...
Jamison was born in Washington, D.C., and raised in the Pacific Palisades neighborhood of Los Angeles. [1] Her parents are Joanne Leslie, a nutritionist and former professor of public health, and economist and global health researcher Dean Jamison; she is the niece of clinical psychologist and writer Kay Redfield Jamison. [4]