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Dil Se.. (lit. ' From the Heart.. ') is a 1998 Indian Hindi-language romantic thriller film co-written and directed by Mani Ratnam who produced it with Ram Gopal Varma and Shekhar Kapur. Set against the backdrop of Insurgency in Assam, the film stars Shah Rukh Khan and Manisha Koirala, while Preity Zinta makes her film debut in a supporting role.
Atonality in its broadest sense is music that lacks a tonal center, or key. [1] Atonality, in this sense, usually describes compositions written from about the early 20th-century to the present day, where a hierarchy of harmonies focusing on a single, central triad is not used, and the notes of the chromatic scale function independently of one another. [2]
Tonality is the arrangement of pitches and / or chords of a musical work in a hierarchy of perceived relations, stabilities, attractions, and directionality.. In this hierarchy, the single pitch or the root of a triad with the greatest stability in a melody or in its harmony is called the tonic.
Other composers with atonal pieces include Harrison Birtwistle & Peter Maxwell Davies, [54] Jacob Druckman, Barbara Kolb, [55] Henry Cowell, Claude Debussy, Brian Ferneyhough, [56] Alexander Goehr, [57] Lou Harrison, Mårten Hagström, Paul Hindemith, Karel Husa, Charles Ives, György Ligeti, Witold Lutosławski, George Perle, [58] Sergei Prokofiev, David Raksin, [59] Nikolai Roslavets, [60 ...
"Dil Se Re" (transl. From the Heart) is a song from the film Dil Se.., composed by A. R. Rahman, lyrics penned by Gulzar, picturised on Shah Rukh Khan and Manisha Koirala and sung by A. R. Rahman. Anuradha Sriram, Anupama and Febi Mani were in the chorus. [1]
"Chaiyya Chaiyya" ("[walk] in shade") is an Indian pop-folk song, featured in the soundtrack of the Bollywood film Dil Se.., released in 1998.Based on Sufi music and Urdu poetry, [1] the single was derived from the lyrics of the song "Tere Ishq Nachaya", written by Bulleh Shah, with music composed by A.R. Rahman, written by Gulzar, and sung by Sukhwinder Singh and Sapna Awasthi.
Post-tonal music theory is the set of theories put forward to describe music written outside of, or 'after', the tonal system of the common practice period.It revolves around the idea of 'emancipating dissonance', that is, freeing the structure of music from the familiar harmonic patterns that are derived from natural overtones.
Works such as Bagatelle sans tonalité ("Bagatelle without Tonality") foreshadow in intent, if not in exact manner, composers who would further explore the modern concept of atonality. [2] Liszt's work also foreshadowed the impressionism that would characterize the work of Debussy and Ravel , as shown in Les Jeux d'Eaux à la Villa d'Este (The ...