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The pater familias, also written as paterfamilias (pl.: patres familias), [1] was the head of a Roman family. [2] The pater familias was the oldest living male in a household, and could legally exercise autocratic authority over his extended family. The term is Latin for "father of the family" or the "owner of the family estate".
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The use of the pictorial elements of painting such as line and color to convey an ultimate unifying theme or idea was regarded as the highest expression of art, and an idealism was adopted in art, whereby forms seen in nature would be generalized, and in turn subordinated to the unity of the artwork.
The Order of Release, 1746 is a painting by John Everett Millais exhibited in 1853. It is notable for marking the beginnings of Millais's move away from the highly medievalist Pre-Raphaelitism of his early years. Effie Gray, who later left her husband John Ruskin for Millais, modelled for the female figure.
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These observances were meant to strengthen the mutual obligations and protective ties between the living and the dead and were a lawful duty of the paterfamilias (head of the family). [4] Parentalia concluded on 21 February in the midnight rites of Feralia, when the paterfamilias addressed the malevolent, destructive aspects of his Manes.
Literary movements are a way to divide literature into categories of similar philosophical, topical, or aesthetic features, as opposed to divisions by genre or period. Like other categorizations, literary movements provide language for comparing and discussing literary works.
This style was promoted by the critic John Ruskin, who had defended the Pre-Raphaelites against their critics. Millais's friendship with Ruskin introduced him to Ruskin's wife Effie. [6] Soon after they met, she modelled for his painting The Order of Release. As Millais painted Effie, they fell in love.