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"Doll Parts" is a song by American alternative rock band Hole, written by vocalist and rhythm guitarist Courtney Love. The song was released as the band's sixth single and second from their second studio album, Live Through This, in November 1994 to accompany the band's North American tour.
Live Through This is the second studio album by the American alternative rock band Hole, released on April 12, 1994, by DGC Records.Recorded in late 1993, it departed from the band's unpolished hardcore aesthetics to more refined melodies and song structure. [4]
However, the songs developed following the band's relocation to several parts of the United States, including Nashville, Memphis, and New Orleans. [ 7 ] [ 8 ] During their time in New Orleans, the band recorded a number of demos , including an early version of " Awful " (1999) and songs which later developed into "Dying" and "Hit So Hard". [ 8 ]
"Celebrity Skin" was released as the debut single of its eponymous album, Celebrity Skin, on August 31, 1998, [8] reaching the top 10 on the US Billboard Modern Rock Tracks chart. [9] It spent a total of 26 weeks on the chart, peaking at number one on October 10, 1998. [10]
It should only contain pages that are Hole (band) songs or lists of Hole (band) songs, as well as subcategories containing those things (themselves set categories). Topics about Hole (band) songs in general should be placed in relevant topic categories .
"Miss World" is known to deal with themes of self-image and substance abuse. Speaking of the song, reviewer Tim Grierson stated that "'Miss World' ties a deceptively candy-coated melody to a sad tale of drug abuse and distorted body image as Love hits upon a familiar theme of the album: the dichotomy of how ugly you feel on the inside while trying to appear beautiful to others."
Billy Joel knows all about an increasingly popular fan theory that suggests two of his "Piano Man" song characters are gay. And, the Grammy winner understand why fans think that. In the song ...
The song was published in 1913, with music by Maurice Abrahams and lyrics by Grant Clarke and Edgar Leslie. [ 1 ] It was introduced in vaudeville by Adele Ritchie , [ 2 ] was a hit for recording artists such as Al Jolson in 1913, Billy Murray in 1914, duo Debbie Reynolds and Carleton Carpenter in 1951 and was revived by Bobby Horton in the Ken ...