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Influential on the development of the neo-psychedelia and college rock music genres and on a number of bands, especially R.E.M. [24] [25] Pitchfork's Top 100 Albums of the 1980s: #65 [6] FACT's The 100 Best Albums of the 1980s: #47 [5] Rolling Stone's "80 Greatest albums of 1980": #63 [4] Robert Dimery's 1001 Albums You Must Hear Before You Die ...
The Billboard Hot 100 is the main song chart of the American music industry and is updated every week by the Billboard magazine. During the 1980s the chart was based collectively on each single's weekly physical sales figures and airplay on American radio stations.
The rock band Los Prisioneros were successful in combining the protest song atmosphere of the 80s with newer trends in rock including punk, ska, new wave and techno. In the late 1980s, new bands such as Los Tres and La Ley would start to set the trends for the next decade.
The template can also be used for adding a description to the ==Summary== section of an uploaded image. See an example at File:Kingspadeselftitled.jpg#Summary. This template is adapted from the infobox for albums, the {{Infobox album}} template. Please see that template's documentation for details as indicated below. The table below is an example.
"Peek-a-Boo" by English rock band Siouxsie and the Banshees was the first song to top the Modern Rock Tracks chart. Alternative Airplay is a record chart that ranks the most-played songs on American modern rock radio stations. Published by the music industry magazine Billboard, it was created in the midst of the growing popularity of alternative music on rock radio in the late 1980s. As less ...
The Call (band) Carabao (band) Carrapicho; Carte de Séjour; Ceramic Hello; Certain General; Chamber Opera Theater of New York; Channel 3 (band) Ché-Shizu; The Chesterfield Musketeers Showband; The Chills; The Church (band) Cleveland Chamber Symphony; HaClique; Collage (American band) Colne Valley Youth Orchestra; Condemned 84; Cook da Books ...
At the beginning of the 1980s, sales of singles and albums in the United Kingdom were compiled on behalf of the British music industry by the British Market Research Bureau (BMRB). This continued until the end of 1982, when the contract to compile the UK charts was won by Gallup, who took over on 4 January 1983, the first working day of 1983. [2]
A loose label given to the shoegaze bands and other affiliated bands in London in the early 1990s was "the scene that celebrates itself". [18] Most shoegaze artists drew from the template set by My Bloody Valentine on their late 1980s recordings, as well as bands such as The Jesus and Mary Chain and Cocteau Twins. [1]