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Adam sang the song at the 1977 National Women's Conference in Houston, and it became a feminist as well as a gay anthem promoting LGBT rights in the United States. [18] 1980: Dolly Parton "9 to 5" 9 to 5 and Odd Jobs: Created for the playful-but-anti-patriarchal comedy film 9 to 5, the song was picked up as an anthem for women working in the ...
Black Magic (Little Mix song) Black Widow (Iggy Azalea song) Bloody Mary (song) Body (Megan Thee Stallion song) Bonnie Jean (Little Sister) Boom Boom (Loboda and Pharaoh song) Born This Way (song) Boss (Fifth Harmony song) Bossy (Kelis song) Boys Wanna Be Her; Boys Will Be Boys (Dua Lipa song) The Boys (Girls' Generation song) Break Free (song)
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The Hudibrastic relies upon feminine rhyme for its comedy, and limericks will often employ outlandish feminine rhymes for their humor. Irish satirist Jonathan Swift used many feminine rhymes in his poetry. Edgar Allan Poe's poem "The Raven" employs multiple feminine rhymes as internal rhymes throughout. An example is the following:
List of songs which have spent the most weeks on the UK Singles Chart; List of songs banned by the BBC; List of songs containing the I-V-vi-IV progression; List of Negima songs; List of songs introduced by Frank Sinatra; List of songs recorded by Zecchino d'Oro; List of songs that retell a work of literature; List of songs with Latin lyrics
A rhyme scheme is the pattern of rhymes at the end of each line of a poem or song. It is usually referred to by using letters to indicate which lines rhyme; lines designated with the same letter all rhyme with each other. An example of the ABAB rhyming scheme, from "To Anthea, who may Command him Anything", by Robert Herrick:
A rhyme is a repetition of similar sounds (usually the exact same phonemes) in the final stressed syllables and any following syllables of two or more words. Most often, this kind of rhyming (perfect rhyming) is consciously used for a musical or aesthetic effect in the final position of lines within poems or songs. [1]
Women's music is a type of music base on the ideas of feminist separatism and lesbian-separatism, designed to inspire feminist consciousness, [1] chiefly in Western popular music, to promote music "by women, for women, and about women".