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Let Loose is a British pop trio, started by Richard John "Richie" Wermerling (lead vocals and keyboards), Robert George Edward "Rob" Jeffrey (guitars and backing vocals) and Lee J. Murray (drums, percussion and backing vocals), and currently consisting of Jeffrey, Murray and former Bad Boys Inc singer Matthew James Pateman.
"Crazy for You" is a song by British pop music trio Let Loose, released in April 1993 by Vertigo Records as their debut single from their self-titled album (1994). The song was written by Richie Wermerling and produced by Nicky Graham. The original 1993 release reached No. 44 in the United Kingdom and debuted at number 157 in Australia. [2]
"Brazy" is another word for "crazy," replacing the "c" with a "b." ... An Ethnography of Identity and Gay Black Men," wherein one of the subjects used the word "tea" to mean "gossip." The term is ...
For the first portion of the list, see List of words having different meanings in American and British English (A–L). Asterisked (*) meanings, though found chiefly in the specified region, also have some currency in the other dialect; other definitions may be recognised by the other as Briticisms or Americanisms respectively. Additional usage ...
Let It Loose may refer to: "Let It Loose" (Rolling Stones song), 1972 "Let It Loose" (Chris Rea song), 1983; Let It Loose, a 1987 album by Gloria Estefan and the ...
If you’ve been wondering if you can start spending a bit more, this article offers signs you’re living too far below your means and can let loose a little. 4 Signs You’re Living Too Far ...
to rent out (as real property, and denoting the transaction from the owner's perspective); Tenants "take" or "rent" the property being let. *("rooms to let") (n.) the act of renting; rented premises (let out) to reveal allow, give permission. leave (as in let him be or let it be) ease (as in let up on the accelerator) indicate (as in don't let on)
Written by Mick Jagger and Keith Richards, “Let It Loose” is an emotional gospel blues ballad with a fervent religious feeling, the song being one of the band’s most prominent forays into soul and gospel during the Exile era after Jagger had attended the services of the Reverend James Cleveland and remained deeply impressed by the singing of the gospel choir.