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The term "pop art" was officially introduced in December 1962; the occasion was a "Symposium on Pop Art" organized by the Museum of Modern Art. [19] By this time, American advertising had adopted many elements of modern art and functioned at a very sophisticated level.
Warhol's pop-art work differed from serial works by artists such as Monet, who used series to represent discriminating perception and show that a painter could recreate shifts in time, light, season, and weather with hand and eye. Warhol is now understood to represent the modern era of commercialization and indiscriminate "sameness".
Andy Warhol, the leading artist of the pop art movement, was an enthusiast of pop culture. In response to the US tour of the Mona Lisa, Warhol created his own multicolored depiction, Colored Mona Lisa. [4] It is an early example of his prowess of inextricably linking high art and consumer culture. [2]
The Marilyn Diptych is a silkscreen painting by American pop artist Andy Warhol depicting Marilyn Monroe. The monumental work is one of the artist's most noted of the movie star. The painting consists of 50 images. [2] Each image of the actress is taken from the single publicity photograph from the film Niagara (1953).
Thiebaud is associated with the pop art movement because of his interest in objects of mass culture, although his early works, executed during the fifties and sixties, slightly predate the works of the classic pop artists. [5] Thiebaud used heavy pigment and exaggerated colors to depict his subjects, and the well-defined shadows characteristic ...
A new generation of artists emerged in the late 1950s and early 1960s with a more objective, "cool" approach characterized by the art movements known today as minimalism, [6] hard-edge painting, [7] color field painting, [8] the neo-Dada movement, [9] Fluxus, [10] and pop art, all of which re-defined the avant-garde contemporary art of the time ...