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Women who have worked as sound editors, creative professionals responsible for selecting and assembling sound recordings in preparation for the final sound mixing or mastering of a television program, motion picture, video game, or any production involving recorded or synthetic sound.
Gwendolyn Yates Whittle (born 1961) is a three-time Academy Award-nominated sound editor. She has worked on over 120 films to date. She has worked on over 120 films to date. She has won 5 Golden Reel Awards at the Motion Picture Sound Editors.
John C. Hall (died June 8, 1997) was an American sound editor. [1] [2] He was nominated for an Academy Award in the category Best Special Effects for the film The Invisible Woman. [3] Hall died on June 8, 1997. [4]
A sound editor in filmmaking is a creative professional responsible for selecting and assembling sound recordings in preparation for the final sound mixing or mastering of a television program or motion picture.
Verna Fields (née Hellman; March 21, 1918 – November 30, 1982) was an American film editor, film and television sound editor, educator, and entertainment industry executive. In the first phase of her career, from 1954 through to about 1970, Fields mostly worked on smaller projects that gained little recognition.
Jon Johnson, MPSE (born October 16, 1954) is an American sound editor of television and feature film. He won the Academy Award for Best Sound Editing for his work on the World War II submarine epic U-571 (2000).
Kay Rose (February 12, 1922 – December 11, 2002) was an American sound editor. She received a Special Achievement Academy Award during the 57th Academy Awards in 1985. This was in the category of Best Sound Editing for the film The River. [1] She has 68 credits in TV and film from 1954 to 1999. She was also the first female sound editor to ...
Cecelia Hall (Cece Hall) is an Oscar-winning sound designer and sound editor.She became the first woman to be nominated for an Academy Award for Best Sound Effects Editing in 1986 for Top Gun and went on to win the Oscar for The Hunt for Red October, a 1990 film for which she also received a nomination for the BAFTA Award for Best Sound at the 44th British Academy Film Awards.