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Brinley Richards: The Last Rose of Summer, Op. 45, for piano (1853) Charles Oberthür: Fantaisie brillante, on motives of Flotow's Martha, introducing the air 'The Last Rose of Summer', Op. 116, for harp (1854) Sigismond Thalberg: The Last Rose of Summer. Air irlandais varié, Op. 73, for piano (1857) Jean-Chrisostome Hess: La Dernière rose d ...
Op. 73 The last Rose of Summer, Air irlandais varié. Op. 74 Souvenir d'Amerique, Lilly Dale, varié. Op. 75 Pensées musicales, Les soirées de Pausilippe, Hommage à Rossini. Op. 76 Célèbre Ballade. Op. 77 Grande Fantaisie de Concert sur l’Opéra Il Trovatore de Verdi. Op. 78 La Traviata, Fantaisie pour piano.
Op. 13, String Quartet No. 2 in A minor (1827) (MWV R 22) (actually the composer's 1st mature String Quartet) Op. 14, Rondo capriccioso in E major for piano (1830) [3] (MWV U 67) Op. 15, Fantasia on "The Last Rose of Summer" in E major for piano (1827) (MWV U 74) Op. 16, (3) Fantasies or Caprices for piano (1829) No. 1 Fantasia in A minor (MWV ...
The Last Rose of Summer is a 1937 British historical musical film directed by James A. FitzPatrick and starring John Garrick, Kathleen Gibson and Cecil Ramage. [1] It was made at Shepperton Studios near London as a quota quickie for distribution by Metro-Goldwyn-Mayer. [2]
The Thomas Moore traditional Irish melody "The Last Rose of Summer", introduced for Martha in act 2, was a successful inclusion. [14] Popular airs were then often introduced informally to operas as show-pieces by sopranos, for example "Home! Sweet Home!" in the lesson scene of The Barber of Seville. [15]
Heinrich Wilhelm Ernst (8 June 1812 – 8 October 1865) was a Moravian-Jewish violinist, violist and composer. He was seen as the outstanding violinist of his time and one of Niccolò Paganini's greatest successors. He contributed to polyphonic playing and discovered new ways to compose polyphonic violin music.
"The Last Rose of Summer", by Thomas Moore opens the fourth section of the Secular Requiem, scored for a Baritone soloist in G minor with Tenors and Basses. The smooth, melodic tone of "The Last Rose of Summer", is then contrasted with a more humorous setting, for contralto, of "Cats and Cakes" by Stephen Anderton.
Leroy Anderson (/ l ə ˈ r ɔɪ / lə-ROY) (June 29, 1908 – May 18, 1975) was an American composer of short, light concert pieces, many of which were introduced by the Boston Pops Orchestra under the direction of Arthur Fiedler.