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Jazz standards are musical compositions that are widely known, performed and recorded by jazz artists as part of the genre's musical repertoire. This list includes compositions written before 1920 that are considered standards by at least one major fake book publication or reference work. Some of the tunes listed were instant hits and quickly ...
Henry Ragas. The Original Dixieland Jass Band (ODJB) was a Dixieland jazz band that made the first jazz recordings in early 1917. Their "Livery Stable Blues" became the first jazz record ever issued. The group composed and recorded many jazz standards, the most famous being "Tiger Rag". In late 1917, the spelling of the band's name was changed ...
Original Dixieland Jass Band. Dominic James " Nick " LaRocca[1] (April 11, 1889 – February 22, 1961), was an American early jazz cornetist and trumpeter and the leader of the Original Dixieland Jass Band, who is credited by some as being "the father of modern jazz". [2] He is the composer of one of the most recorded jazz classics of all-time ...
The first recordings of New Orleans/Dixieland jazz came out in the 1920s, nearly two decades after the "hot" New Orleans sound and style had first been developed. By the time musicians of color like Freddie Keppard were recording, the Original Dixieland Jazz Band, an all-white band, had already made the first jazz recordings and had dominated ...
The Hogan Archive of New Orleans Music and New Orleans Jazz is an academic repository located at Tulane University in New Orleans, Louisiana. The archive specializes in Dixieland Jazz, gospel, blues, rhythm and blues, Creole songs, and related musical genres. Its collection includes oral histories, audio and video recordings, photos and other ...
Leon Bismark "Bix" Beiderbecke (/ ˈ b aɪ d ər b ɛ k / BY-dər-bek; [1] March 10, 1903 – August 6, 1931) was an American jazz cornetist, pianist and composer.. Beiderbecke was one of the most influential jazz soloists of the 1920s, a cornet player noted for an inventive lyrical approach and purity of tone, with such clarity of sound that one contemporary famously described it like ...