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Hundred Guilder Print. The Hundred Guilder Print, c.1647-1649, State 2 of 2. 278 x 388 mm. The Hundred Guilder Print is an etching with drypoint by Rembrandt, measuring 278 x 388 mm (platemark). [1] The etching's popular name derives from the large sum of money supposedly charged for it. It is also called Christ healing the sick, [2] Christ ...
The Hundred Guilder Print (c. 1647–49), an etching now housed in the National Museum of Western Art in Tokyo The Three Trees (1643) The Shell (a cone snail) is the only known still life Rembrandt ever etched.
Rembrandt's teachers in Leiden were Jacob van Swanenburgh [note 1] (from 1621 to 1623, [5] with whom he learned pen drawing [6]) and Joris van Schooten. [note 2] [7]However, his six-month stay in Amsterdam in 1624, with Pieter Lastman and Jan Pynasc, was decisive in his training: Rembrandt learned pencil drawing, the principles of composition, and working from nature. [6]
1: Beggar man and woman: About 1628 B184: 1: A stout man in a large cloak: About 1628 B338: 1: Self portrait bare-headed: bust, roughly etched: 1629 S376: 1: A beggar in a tall hat and long cloak, with a cottage and two figures in the background: About 1629 or earlier B012: 1: Self portrait in a fur cap, in an oval border: About 1629 B095: 1
B18. Royal Collection, 1642. The dozens of self-portraits by Rembrandt were an important part of his oeuvre. Rembrandt created approaching one hundred self-portraits including over forty paintings, thirty-one etchings and about seven drawings; some remain uncertain as to the identity of either the subject (mostly etchings) or the artist (mostly ...
Bathsheba at Her Bath is a reinterpretation of two antique reliefs familiar to Rembrandt through engravings. [3] [9] A print by Tobias Stimmer may have been influential, as it includes the pillar, a curtain drawn across the background and Bathsheba's downcast gaze. [10] It was begun around 1647 and altered and repainted until its completion in ...