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Scottish folk music (also Scottish traditional music) is a genre of folk music that uses forms that are identified as part of the Scottish musical tradition. There is evidence that there was a flourishing culture of popular music in Scotland during the late Middle Ages, but the only song with a melody to survive from this period is the "Pleugh ...
A detail from The Highland Wedding by David Allan, 1780 KT Tunstall has incorporated folk music with rock, earning her international success through the 2000s–2020s. There is evidence that there was a flourishing culture of popular music in Scotland during the late Middle Ages, but the only song with a melody to survive from this period is the Pleugh Song. [14]
The great Highland bagpipe (Scottish Gaelic: a' phìob mhòr pronounced [a ˈfiəp ˈvoːɾ] lit. 'the great pipe') is a type of bagpipe native to Scotland, and the Scottish analogue to the great Irish warpipes. It has acquired widespread recognition through its usage in the British military and in pipe bands throughout the world.
Pibroch. Pibroch, piobaireachd or ceòl mòr is an art music genre associated primarily with the Scottish Highlands that is characterised by extended compositions with a melodic theme and elaborate formal variations. Strictly meaning 'piping' in Scottish Gaelic, piobaireachd has for some four centuries been music of the great Highland bagpipe. [1]
Many of the Highland dances now lost to us were once performed with traditional weapons that included the Lochaber axe, broadsword, targe, dirk, and flail; the old Skye dancing song, Buailidh mi thu anns a' cheann (Scottish Gaelic for 'I will strike your head') indicate some form of weapon play to music; "breaking the head" was the winning blow ...
As a tune with martial affiliations Highland Laddie is still widely played by the regimental bands and/or pipes and drums of the Scottish regiments. As a traditional Scottish tune, Highland Laddie is also commonly played on the bagpipes for Scottish dances. Typically categorised as a quick march "Highland Laddie" is normally written in 2/4 time.
The Scottish Gaelic term port à beul refers to "a tune from a mouth—specifically a cheerful tune—which in the plural becomes puirt à beul". [1] [2] In Scotland, they are usually referred to as puirt à beul but a variety of other spellings and misspellings also exists, for example port-a-beul, puirt a bheul, puirt a' bhéil, etc.
Scottish sword dances. The Sword dance is one of the best known of all Highland dances, an ancient dance of war. Performance of sword dances in the folklore of Scotland is recorded from as early as the 15th century. [1][2][3] Related customs are found in the Welsh and English Morris dance, in Austria, Germany, Flanders, France, Italy, Spain ...