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Selmer Paris sold less-expensive clarinets under the names Barbier, Bundy (Paris) and Raymond until ca. 1935, after which they focused exclusively on professional clarinets. Note: Selmer Paris harmony clarinets (sizes other than B♭ and A soprano clarinet) are mostly called by their model number rather than a name, but there are, for example ...
Hanson Clarinet Company B♭, A Howarth of London B♭, A: A (joints & barrels only) Jupiter Band Instruments B♭ B♭ Leblanc (a division of The Selmer Company) B♭ E♭ B♭ EE♭ BB♭ Leitner & Kraus E♭, D: C, B♭, A: B♭, A: F B♭ Orsi Instrument Company: G, A♭ (on request) E♭ C, B♭, A, G F (on request) E♭ B♭ Fratelli ...
Exclusive mass-production rights were given to the Selmer company, although only 13,000 were made. [citation needed] Selmer first marketed the instrument in 1959: "Over the past 75 years, many new clarinet key Systems have been submitted to Selmer. Yet the Mazzeo system is the first we have ever placed in production.
Vito is a brand name for Leblanc USA, now part of Conn-Selmer USA. The Vito name was used for student through professional (Yanagisawa baritone saxophone) instruments. Leblanc USA was formed in 1946 by Vito Pascucci, and the French woodwind manufacturer, G. Leblanc Cie of France. To meet high demand, Leblanc USA started to manufacture clarinets ...
The Silva-Bet, which debuted in 1925, is generally acknowledged to have been the first successful metal clarinet. [1] [2] Shortly after the appearance of the Silva-Bet, other woodwind makers entered the metal clarinet market, including Selmer Paris in 1927 [3] with their Master Model as well as American companies Buescher with their True Tone model and H. N. White with the Silver King.
Model 352 was straight in a bass clarinet-shape to written low E♭. Other makers of contra-alto clarinets have developed mainly stretched models. These include: Henri Selmer Paris. Model 26/40 in rosewood to written E, E♭, or D; Buffet Crampon. Metal model patented in 1891 for Evette and Schaeffer (patent FR218373/5) [8]