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Smile (sometimes stylized as SMiLE) [1] is an unfinished album by the American rock band the Beach Boys that was intended to follow their 1966 album Pet Sounds.It was to be an LP of twelve tracks assembled from modular fragments, the same editing process used for their "Good Vibrations" single.
"Bitches Ain't Shit" was originally a hidden track, but was added to the cover art from the 2001 reissue onwards. [5] It was a last-minute replacement for "Deep Cover", which the label felt was too risky to release on The Chronic in the wake of the "Cop Killer" controversy.
The idea to include piano in the track came without much forethought; "We realized, 'Well, this part here could sound rad if we put piano in here.' So we tried it out, and it sounded rad," said Hoppus. [7] The piano was performed by session musician Roger Joseph Manning, Jr., [15] best known for his work with Beck. [16]
'ㅋ', is a Korean Jamo consonant representing a "k" sound, and ' ㅎ ' represents an "h" sound. Both "ㅋㅋㅋ" and "ㅎㅎㅎ" represent laughter which is not very loud. However, if a vowel symbol is written, louder laughter is implied: 하하 "haha" 호호, "hoho." [64] (笑): in Japanese, the kanji for laugh
The key is E major, but with the 3rd and 7th degree occasionally lowered, creating – in the first part of the verses ("I can't get no ...") – a distinctive mellow sound. The accompanying chords (i.e. E major, D major and A major) are borrowed from the E mixolydian scale, which is often used in blues and rock.
[159] [160] On May 29, 2012, the seven-man music collective cdza, an abbreviation of Collective Cadenza, shared their piano interpretation of the song entitled "Pianists in Paris". The interpretation features the members taking it in turns to add piano notes to the song and a music video was released, showing the collective playing the instrument.
"They All Laughed" is a song composed by George Gershwin, with lyrics by Ira Gershwin, written for the 1937 film Shall We Dance where it was introduced by Ginger Rogers as part of a song and dance routine with Fred Astaire.
The album topped the R&B albums chart, White's fourth in a row to do so, and peaked at #17 on the Billboard 200.It also reached #12 on the UK Albums Chart. [5] The album was a success, yielding two Billboard R&B Top Ten singles, "What Am I Gonna Do with You", which peaked at #1, and "I'll Do for You Anything You Want Me To", which peaked at #4. [2]