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The design of Geto-Dacian helmets (i.e. Ciumesti, Iron Gate) is sufficiently unusual in ancient art to offer the opportunity to trace it to its origin, and, thereby, provide some insight into the Scythian elements that went into the formation of early Dacian art and the means by which ancient Oriental motifs survived and were transmitted into ...
Roman head of a Dacian of the type known from Trajan's Forum, AD 120–130, marble, on 18th-century bust. The Dacians (/ ˈ d eɪ ʃ ən z /; Latin: Daci; Ancient Greek: Δάκοι, [1] Δάοι, [1] Δάκαι [2]) were the ancient Indo-European inhabitants of the cultural region of Dacia, located in the area near the Carpathian Mountains and west of the Black Sea.
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The decorations, such as rosettes, strips, triangles, spirals and others are specific Geto-Dacian art motifs. The depiction of the sacrifice of the ram is an Iranian theme that entered Greek art and from there 'barbarian' art. Therefore, the helmet seems to have been realized in a Greek workshop.
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The 5th century BC is associated with the Dacian stage of art [21] [22] and it is the time of the La Tène period (Iron Age II) when Dacian culture flourished, especially in Transylvanian citadels. [23] The Dacian art of Iron Age II has all the characteristics of a mixed style, with its roots in the Hallstatt culture (1200–500 BC).